Act One Scene Five

SHOT LIST

1 - Wide shot , H & D enter the Dining Room from the door stage right of the Fireplace. Harker has his valise, Dracula his lamp. A long covered table stands before the giant fireplace, Harker's seat at the end closest the two doors, Dracula's at the center, with its back to the fireplace. There is a suit of armour against the wall between them and a wooden keg on the table next to Dracula's setting. (Hopefully this can be used to obscure the white door fame in some shots.) There is a sumptuous steaming meal at Harker's setting.

2 - Close-up on food- beautiful hot meal: roast bird, sausage, fruit, bread, cheese and wine.

3 - Medium of Harker reacting, sitting down.

Harker: Is this really all for me?

4 - Wider as D passes, taking the valise from Harker and setting down the lamp on the table.

Dracula: Yes, you need a little fattening up.
Try not to injure yourself.

5 - Medium on D removing documents from valise at his chair before the fireplace.

Dracula: Which of these are the deeds to my estate at Carfax ?

6- Medium close on Harker, eating greedily; points with fork, continues eating.

Harker: ( Eating greedily ) The one with the red ribbon... ( Continues gorging ).

7 - medium close on D seated before fireplace, unrolling scroll.

Dracula: ( Unrolling scroll ) Ah, here we are.
Good.
The old Abbey will be perfect for me, I hate new buildings.
A house without history is like living alone, or with idiots.

8 - Close on Drac.

As well, it may amuse me to play at being high priest of my own order for a time.

9 - Medium close on drac.

I have memorized already the maps and layout of your fabulous modern cosmopolitan London, and I look forward to making my presence felt there.

10 - Medium close on Harker.

Harker: ( eating ) I must say you speak without a trace of accent. One would never know you were not English.

11 - Close on Drac.

Dracula: Thank you. I have learned that it's human nature to hate and fear what is foreign, so it's important to blend in when you go somewhere new.

12 - Close on Harker.

Harker: ( carefully )... If you'll please forgive my asking, Count Dracula, why are you leaving your home to come live in London?

13 - Medium Long on D.

Dracula: I have been here a long time, and feel I have exhausted all the possibilities. I need some new blood. )

14 - Long on D.

Some fresh meat.
( He drinks from a large snifter next to his keg.

15 - Long on H.

Some fresh meat.
( He drinks from a large snifter next to his keg.

16 - Wide on Table.

Dracula: ( soothing ) Eat up , Mr. Harker. There's pie for dessert.
- Harker brightens a little at this.

17 - Close up of remains of meal, empty dishes, bottles, etc.

18 - Medium close, H looking bloated and sleepy.

19 - Close on two brandy glasses on table. Liquid begins to pour into one.

20 - Medium close on D, pouring Brandy, offering glass to Harker.

21 - medium close on Harker leaning forward to reach for glass.

22 - Close on Harker's hand taking the glass from Dracula's.

23 - Medium close on H leaning back, sipping Brandy.

24 - Medium close on Drac, proffering cigarette case.

Dracula: ( Proffering cigarette case ) Do smoke.

25 - Medium close on Harker, accepting cigarette.

Harker: Oh! Thank you!

26 - Wide on both as they smoke.

27 - Medium on Harker.

Harker: ( slurring) What interesting tobacco. Is it Turkish?

28 - Medium on Drac -

Dracula: ( Blowing smoke out his nostrils like a dragon ) Mm - Hmmn.
So tell me, Harker, what of Mr. Renfield? I was disappointed when I heard he could not come to visit me himself. He is not unwell, I hope?

29 - Medium on Harker -

Harker: ( stoned and drunk ) Um... he was ... he came down with a sort of brain fever... they had to ... hospitalise him ...
( He picks up and begins toying with a crude, ancient looking Jack-in-the-box.)

30 - Close on Drac, regarding the end of his cigarette -

Dracula: Poor Mr. Renfield. How terrible to lose one's hold on reality. At the end of the day, what else does one really have?

31 - Close on Harker as the Drac -in-the-box pops open.

32 - Close -up of Drac-in-the-box from Harker's P.O.V. (hold for animation).

33 - Medium Close on Harker as he drops the box on the table, backs up out of his chair away from it.

Harker: ( queasy, disoriented ) My God. What is it.

34 - Close on Drac-in-the-Box lying on table. Dracula's hand comes in to pick it up.

Dracula: A family heirloom!

35 - Medium close on D as he shuts the box again .

That was the terrible Impaler's favourite toy. He had it made from bits of his enemies.

36 - Medium close on Harker sitting back down.

Harker: Quite a sense of humour , your ancestor had.

37 - Medium close on D as he sets the box back down.

Dracula: He had a certain flair. Have you ever had your hat nailed to your head, Mr. Harker?

38 - Close-up of Harker with hat nailed to head.

39 - Same shot of H, but with out hat or nail.

Harker: ( sudden vivid hallucination of just that, a couple of seconds worth. )
Uh... huh ? What ? Why do you ask?

40 - Medium close on D as he picks up a metal skewer from the table -

Dracula: He was prone to do that sort of thing if he didn't like our attitude.

41 - Medium close on Harker -

Harker: If he didn't just stick a big spike through your belly.

42 - Medium then closer on Drac as he approaches; he picks an uneaten sausage from the table, skewers it lengthwise, and twirls the sausage ahead of him.

Dracula: Actually, the pikes were inserted lengthwise, through one of the lower orifices, until they protruded from the mouth or popped out just above the sternum.
It's a bit like being a pig on a spit, except of course that the pig is dead.
The trick is to insert the pole slowly and gently enough that the creature doesn't die of shock, not right away.
They don't wiggle properly if they're too dead.

43 - Close on Harker -

Harker: Wiggle?

44 - Close on Dracula -

Dracula: Yes, like a grasshopper on a fish hook.
Have you ever seen several thousand people all wiggling on pikes in the midday sun?
It's quite a sight.

45 - Close on Harker -

Harker: It is ?
46 - Close on Dracula -

Dracula: Breathtaking. ( He exhales another lungful of smoke through his nostrils. )

47 - Wide on Both -

Do you know what they ... do to you in a Turkish prison, Mr. Harker ?
I spent two years in one, when I was a teenager.

48 - Medium on Drac, stubbing out cigarette.

(pause)
It's not that I didn't feel their pain... I did.

49 - Close up on Drac's teeth, w/fangs.

I enjoyed it.

50 - Medium on Harker -

 Harker: Why - why do you speak of these events in the first person ? Surely they took place in the distant past?

51 - Medium on Dracula (silhouette) -

Dracula: There is no future, Mr. Harker, there is no past. There is only a moment which we carry with us forever.

52 - Medium on Harker -

Harker: I can't believe any army composed of men would carry out such orders. How could they do these things for him?

53 - Long on Drac, his back to the camera as he faces the fire.

Dracula: When I was exactly 33 years old, I died in battle.
Struck in the head by an enemy's ax, I fell from my mount mortally wounded.

54 - Slightly tighter shot as he turns toward the camera -

But on the third day, I rose again from the dead.
After this, men would follow me anywhere.
Women would refuse me nothing.
And as the immortal Chosen of God I could not be harmed.

55 - Drac from below, framed against mantelpiece -

This is the greatest of gifts.
It marks the next phase of existence.

56 - Drac from below, standing on chair framed against wall above mantelpiece -

In the first phase, one is unable to refrain from sin.
Then comes the death of the body, the death of our baser nature.

57 - D from below, standing on table, framed against vaulted ceiling -

In the eternal realm, with glorified bodies, we are unable to sin, and so keep fellowship with God forever.

58 - Wide on both as Drac turns toward Harker -

This is why I am coming to London.

59 - Medium close on Drac from Harker's P.O.V. as he approaches; as he does so, he extends his hand a la God in the Sistine Chapel Creation tableau.

It is my Holy Mission.
To share the Gift of Eternal Life.

60 - Close-up on Drac's hand extended toward Harker.

61 - Medium long on Harker, drawn up into a ball -

Harker: I - I don't understand.

62 - Long slow zoom from full figure long shot to facial close-up in whiteface goth make-up with key light on face -
"THE RANT":

Dracula: I am the blood of life. Whoever comes to me will never go hungry, and whoever believes in me will never thirst.
I shall reject no-one who comes to me, for I came not to do my own will but the will of One who sent me.
And this is the will of One who sent me: that I should not lose anyone whom He gave me, but that I should raise them up.
For the will of my Father is that everyone who sees the Son and believes in him may have eternal life, and I will raise him up on his last day.
I am the resurrection of the body.
I am the life everlasting.
I am Dracula... the Saviour of Men.

63 - Close on Harker -

Harker: ( terrified, blurting ) B- But surely Jesus Christ -

64 - Close-up on Drac as his face assumes werewolf feature, contorts, and snarls.

65 - Medium on both as Drac lunges for Harker -

Dracula: Shut up !

66 - Close on both as Drac throttles Harker, shaking him -

SHUT UP !!!

67 - Medium on Both -

Stupid little monkey! ( DRACULA belts HARKER viciously in the side of the head, knocking him to the floor. )

68 - Over Drac's shoulder as he looms over Harker -

I take you into my home and you piss upon my table!

69 - From Harker's P.O.V. as Drac towers over him -

( calm again ) ... You are beneath my notice.

70 - Close on Drac from same P.O.V. -

You have one more task to perform, however, before you have outlived your usefulness.
Get up.

71 - From Harker's P.O.V. as Drac towers over him, drawing his sword -

GET UP! ( drawing sword ) Or shall I cut the nose right off of your face?

72 - Close on Both -

- DRACULA grabs HARKER by the collar and hoists him instantly to his feet, then tosses him back onto the chair he was just knocked from.

73 - Medium on Dracula as he sweeps the dinner dishes onto the floor in a horrible crashing mess.

74 - Close on Harker as Dracula thrusts a quill pen into his hand.

Dracula: You will now write three letters in your own hand.

75 - Over Drac's shoulder at Harker as he slaps writing paper down on the desk as well.

Dracula: In the first of these, you will advise your loved ones that you have elected to stay with me for the next month, as I have much pointless and trivial business for you to perform.

76 - Drac from Harker's P.O.V., brandishing weapon -

The second and third of these will say, " having a wonderful time, wish you were here, ox ox, et cetera, et cetera. "
77 - Closer to Drac from same P.O.V. -

If there should seem to me to be a single word that is false or suspicious in any way about how these sentiments are expressed, I will cut your eyes out and feed them to you .

78 - Over Drac's shoulder at Harker as he levels knife at Harker's eyes.

Now, write.

79 - Close-up on Harker, terrified.

- HARKER sits, immobile. He is having difficulty processing it all.
He obviously doesn't want to sign his own death warrant, but is fearful of saying a word out of place to DRACULA.
His lip trembles.

80 - Even closer to Drac from Harker's P.O.V. -

Dracula: Are you going to cry?

81 - Close on Harker -

- HARKER has a brief hallucination of himself gagged and tied to the chair. DRACULA is slicing his left ear off.

82 - Same P.O.V. without bonds, etc. Dracula leans in with knife.

Dracula: ( nodding encouragement ) Going to cry ?

83 - Close on Harker -

- Further hallucination of HARKER's right ear being sliced off.

84 - Same P.O.V. without bonds, etc. Dracula holds knife at Harker's throat.

Dracula: Why don't you cry.

85 - Close on Harker -

- HARKER's nose is removed.

86 - Same P.O.V. without bonds, etc. Dracula drops knife toward writing paper.

Dracula: Or ... you could do as you've been told. ( indicates writing paper )

87 - Close on Harker -

- HARKER falls to writing as though his life depended on it.

88 - Wide on Room, Harker writing as Dracula stands nearby.

 

89 - Close on Harker -

- HARKER finishes his writing and put his pen down. He stares glumly ahead, not moving.
Dracula's shadow enters frame.
Dracula: Come.

90 - Wide on Room as Harker jerks to his feet and follows Dracula spastically, as though not in control of his own body.
Dracula again has his lantern, and walks back toward the door from which they entered.

91 - Medium of both at corner with doors as Dracula opens the door for Harker.

Dracula: I'm sure you're anxious to see your room.
(He exits.)

Harker glides after Drac and through doorway as though on a skateboard.
Beat.
The door slams shut behind them.
( Can we use the skateboard in there ? )
( Or the fog machine for that matter ? )

END OF THE SCENE !

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